NEW YORK

A QUIET STORM
February 25, 2026
NEW YORK

There is a specific kind of silence that only falls over a city when it’s blanketed in white. For most, a snowstorm is a cue to head indoors, grab a blanket, and wait for the plow. For me? That’s when the city finally starts to get interesting.

 

Photographing in the snow isn't just about the visual—it’s about the atmosphere. The chaos of the streets is muffled, the grit is smoothed over, and New York (or wherever the storm finds me) transforms into a living noir film.

 

Yes, the gear gets wet. Yes, my fingers usually lose feeling by the second hour. But there’s a grit and a physical connection to the environment that you just don't get on a sunny Tuesday. You’re out there with the commuters struggling against the wind and the kids seeing the first flakes fall.

When you capture a moment in a blizzard, you aren't just taking a photo—you’re documenting the city’s resilience. There’s a raw, fleeting beauty in the cold. You just have to be willing to get a little frozen to find it.

 

 

 

About the author

Phil Penman

UK-born, NY-based photographer Phil Penman has documented the rapid flux of New York City's streets for over 25 years. With clients ranging from People Magazine to The Daily Telegraph, he has photographed celebrated living legends, including Jennifer Lopez and Bill Gates, and captured historical moments such as the September 11th Terrorist Attacks. Penman's distinctive style, versatility, and dedication to his craft has won him prestigious awards and exhibitions, including the Leica Fotografie international Picture Prize and distinction as one of the "52 Most Influential Street Photographers" alongside industry legends, Henri Cartier-Bresson and Sebastião Salgado

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